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Harem: The 1984 Masterpiece Porn Film Available for Streaming

Jean-Daniel Cadinot presents a romanticised, homoerotic image of the Maghreb, similar to that of other white Western artists and writers such as André Gide and JeanGenet, who went to North Africa to revel in the eroticism of Arab and black African male bodies. Jean-Daniel Cadinot had achieved a rare alchemy: visualising both Western fantasies about North Africans and their fantasies about Western tourists.

Jean Daniel Cadinot was born in Paris in 1944, he began his career as a photographer before starting to release gay porn films in 1978. He is the porn director who has inspired future generations of porn video makers: Menoboy, Citebeur, Stephane Berry…

Although shot in 1984, this film clearly shows why Cadinot has become such a legend! Harem was filmed in Casablanca with a mixed-race cast, featuring stunning scenes with incredibly handsome men.

A young Frenchman visits the city, eager to mingle with the locals. A sexual opportunity lurks around every corner and in every alleyway as the Arab merchants in their djellabas charm the young man, who gets repeatedly fucked. A masterful vintage porn, a timeless classic!

We are all Nomads. We travel in search of adventures, new experiences, new landscapes, and new friends. Let the Mediterranean climate welcome you to a North Africa untouched by tourists. An abundance of actors in real situations. A new generation of Maghrebis, full of vitality and without taboos, kiss, suck, and lick their European counterparts excessively. Everywhere you look – brothels, beach houses, kasbahs, garages, public gardens – embraces the explosive nature of youthful heat. Let yourself be seduced by the erotic tricks of princes whose seduction is the oceanic art of the thousand and one nights, their romance and tenderness punctuated by spectacular scenes of debauchery. The height of shared pleasure.


Although Cadinot released many films thereafter (until 2004, most of which were not set in the Maghreb.), Harem has become one of his most well-known films, making Cadinot responsible, as his official website (www.cadinot.fr) suggests, for an “increase in gay charter flights to North Africa!”

Jean-Daniel Cadinot presents a romanticized and homoerotic image of the Maghreb, similar to other white Western artists and writers, including, among others, EM Foster, André Gide, Jean Genet, William S.Burroughs, Joe Orton, and Roland Barthes, who traveled to North Africa to indulge in the eroticism of Arab and African Black male bodies.

In Hammam, Harem, and Nomades, all filmed in the Maghreb, Cadinot takes advantage of France’s North African colonial heritage while promoting a generalized fantasy of oriental sexuality, brimming with colonial stereotypes and clichés.

Film Chapters:

  1. Djaï Kamara
    Omar fucks Djaï in a sauna.
  2. In the sauna, a threesome is organized.
  3. Pierre sees Oman, tries to catch him but can’t. Pierre enters a store and the seller immediately starts to take him. He fucks Pierre standing in the middle of the shop.
  4. When the seller is done with him, he calls a black man who briefly fucks him with his big caliber until they both cum.
  5. In his tight white shorts, Pierre goes to another sauna where he meets two dark-skinned hairy men and a light-skinned one with personal needs. Pierre does most of the interviewing by taking him at both ends from several combinations. The three come with Pierre lying on the floor, covering his face with white goo.
    ten.
    Pierre and Omar meet in the streets and then go out to sea to swim naked, playing with each other in the water. They retire to a bedroom where Pierre is fucked again.
  6. Pierre is fucked by a customer of the brothel.
  7. Pierre visits a garage. He is seduced by the mechanic who fucks him.
  8. In a kasbah, two men fuck.
  9. Pierre meets a young Arab who leads him to a hidden place. The two of them make love passionately.
  10. Pierre is approached by a group of Arab men who invite him to a private orgy.

Casting :

Abdel Aziz
Arnaud Monastier
Djaï Kamara
Luigi di Como
Marek Rotsmann
Mickaël Dickson
Mongo N’Gazza
Omar Salam
Oualid Djelal
Pierre-Yves Darget
Sidney MacKenna

The original film covers

Harem is available for streaming on Cadinot’s official website. If you’re a fan of vintage porn or just interested in seeing one of the greatest pornographic films ever made, this is a film you definitely need to check out!

Jean Daniel Cadinot left a significant mark on gay culture, particularly through his films shot in the Maghreb region during the 1980s. His influence was multi-faceted:

  1. Challenging Stereotypes: Cadinot’s films often depicted a range of diverse characters and sexual roles that challenged the stereotypes of gay men prevalent during that time. He didn’t shy away from portraying different ethnicities, body types, and sexual behaviors, providing a more comprehensive depiction of the gay community.
  2. High Production Values: Cadinot brought a certain level of artistry and professionalism to the world of gay erotica, which was quite unusual for the time. He focused on high production values, from the cinematography to the plotlines and character development, setting a new standard in the genre.
  3. Breaking Taboos: Cadinot’s films were considered groundbreaking as they openly explored gay sexuality at a time when it was largely hidden from mainstream media. His works tackled several taboos and contributed to the sexual liberation movement.
  4. Cultural Intersection: By filming in the Maghreb, Cadinot introduced Western audiences to an entirely different cultural context. He showcased the allure and sensuality of North African men, subverting the typical Western-centric view common in gay erotica.
  5. Fantasy and Desire: Cadinot effectively employed fantasy as a storytelling device in his films. He created narratives of sexual desire and exploration that resonated with many gay men, who saw their own fantasies reflected on screen.
  6. Legacy: Many of Cadinot’s films, such as “Harem,” have become classics in gay cinema. They have inspired subsequent generations of directors and filmmakers, and continue to be celebrated for their pioneering approach to portraying gay eroticism.

However, it’s worth noting that while Cadinot’s films were significant for these reasons, they also attracted criticism for sometimes perpetuating orientalist and colonial fantasies about the Maghreb and its inhabitants.

Jean Daniel Cadinot passed away in 2008, leaving behind a body of work that continues to inspire and fascinate audiences worldwide.

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